Thursday, March 11, 2021

The Broken Plate


The most meaningful part of my journey
as a jeweler and metalsmith are the pieces I make that reflect a period in time that represent someone else's journey.  These are pieces that incorporate history, memories, and emotions.  These opportunities are the gift of my work and I am constantly amazed what I learn about people and what I am blessed to creatively express.

When my friend Cherie approached me about making a brooch from a broken plate, I had no idea about the backstory of this broken plate.  Here is her story:


BLUE CHINTZ by Cheri Banks

Born to Swedish immigrants in 1897 Cecelia Louise Samuelson's life spanned a period marked by tragedy and triumph; from a childhood train accident that nearly severed her legs to financial ruin after the stock market crash of 1929 and her husband subsequent struggle with alcoholism (and courageous recovery) and Cecilia ran two small businesses to help make ends meet while fighting a recurrent battle with cancer that took both of her breasts. She narrowly escaped a devastating house fire in 1968 and lived to see a man walk on the moon. She lost her last battle with cancer in 1972.

Celia, my grandmother, was the strongest woman I've ever known. I adored her.

In the early 1920s, Cecelia and Arthur were newlyweds strolling through a giant New York town when a shop window displayed a vibrant English transfer-ware dishes caught Cecilia's eye. Wavy-edged squared plates in Crowned Ducal's "blue chince" pattern featured a bright blue background covered with tropical birds, flowers, branches and foliage. Arthur took note and secretly returned to the shop to buy the luncheon set for her.

After Cecilia passed away, my mother gave the set to me and I displayed the plates on a wall in my home. When one accidentally fell to the floor my heart shattered too. I gathered the plate fragments and kept them tucked away in a small box. Recently I took the box out and held one of the pieces in my hands. Locked in a pattern of subtle crazing crisscrossing the hundred year old surface, still vibrant with colorful birds and flowers, are the smoky traces of the horrific housefire in 1968. Each lovely jagged fragment represents my grandmother's essence: beauty and strength, personal tragedy and resilience. Barbara Klar is a dear friend and gifted artist who, with silver and bronze, has captured a precious fragment of Cecilia's life: an exquisite, sublime testament to a woman of great courage who taught me the meaning of unconditional love.




 


 

 













Friday, February 26, 2021

Tiaras

 I don't know why I've always been obsessed with Tiaras.  Perhaps being a princess is every little girl's dream.  Often I found myself gazing at Jesus's crown of thorns or an angel's halo.  The first Tiaras I made were in 2002 when I was invited by Fragments to premier my wedding band collection in their Madison Ave. store.  I thought if I put some awesome tiaras in their windows, it would generate business.  I created The Glenda tiara from the good witch on Wizard of Oz, the Athena Tiara which represented the Greek Warrior Princess,and the Gabrielle Tiara inspired by Xena Warrior Princess.  

When I recently read M.J. Rose's new book, entitled "The Last Tiara", I pulled out the photos of my Tiaras and realized I was yearning to be a part of the "Tiara Tradition" since long ago.  If you love historical fiction as much as I do, I urge you to read her book which is based on a lost tiara from the gems of the Romanoff Russian jewels.  

                                                                          "Glenda" tiara, 

                                                            vermeil, moonstones and cz's                               

                                                                                    


"Athena" Tiara, pearls and 14k pink gold vermeill


"Gabrielle" Tiara, sterling, 14ky and CZ

AND THEN:      How could I resist the temptation to make stainless crowns for my dog CoCo and my cat Jessie?  They were my Queens!